lavito

Lately I’ve been in the studio with SOLLU, a Portuguese producer, working on a new track named “Home Pulse”.

From the beginning, it felt natural. Ideas coming quickly, no overthinking, just building on each other’s energy.

Those sessions are rare, but when they happen, you feel it immediately.

We’re planning to pitch the track to Magnifik, and honestly it feels like one of those records that has something special. Not in a calculated way, just in that instinctive feeling you get.

What I appreciate most about working like this is the exchange. Different backgrounds, different influences, different ways of approaching music.

It opens things up creatively in a way you can’t force on your own.

That’s one of the reasons I wanted to spend time in Lisbon. Not just to play, but to connect and create with new people.

This track is part of that process.

Let’s see where it goes.

I’m heading back to Belgium soon for a gig, and this one is a bit different.

I’ll be playing on a padel court.

It’s funny how music takes you to all kinds of places. From clubs in Lisbon to something like this. Completely different environment, different context, different crowd.

But that’s also what I enjoy about it.

Every setting asks something else from you. You can’t approach everything the same way. You have to adapt, read the space, understand what works in that moment.

I’m looking forward to bringing everything I’ve been building here in Lisbon back home, even if it’s just for a night.

There’s something special about playing in Belgium again. A different kind of connection.

Same intention though. Create something people feel.

I played at RiveRouge recently and it turned into one of those nights that stays with you. This club is a very known one in the heart of Lisbon and if you get there, you do mean something in the scene. 

The set was more Latin Tech House than what I usually play. It’s not exactly my core sound, but I decided to lean into it instead of holding back.

And the energy just built from there.

The crowd was fully in it. Reacting to everything, moving with every shift. It became one of those sets where you stop thinking and just follow the moment.

After the set, a lot of people came up to me, which already felt good. But what surprised me was that someone from YARD Festival came to talk to me as well.

I didn’t expect that at all.

It reminded me that sometimes stepping outside your usual lane opens new doors. Not by forcing it, but just by being present and giving your full energy.

That night was one of those moments.

Lisbon gives a lot, but it also demands a lot.

Since being here, I’ve really felt how deep the DJ scene goes. There’s talent everywhere. People with strong identities, strong networks, strong presence. Everyone is building something.

Stepping into that space makes you reflect. You start questioning where you fit, what makes you different, what your place is in all of this.

It can feel competitive at times. Not in an obvious way, but in a quiet, constant way. Everyone is working, improving, showing up.

But over time, I’ve started to look at it differently.

It’s not really about competing. It’s about becoming clear in your own direction. Understanding your sound, your energy, and staying consistent with that.

Lisbon is teaching me patience. And trust.

Because if you can build something here, it means something.

Some moments take a second to sink in.

I found out that Come Together, the track I made with ARTEN, got added to an official Tomorrowland playlist. Not long after, it also started playing on One World Radio.

At first, it didn’t fully register. I read it, looked at it again, and just sat with it.

So much of music happens in silence. Long hours in the studio, going back and forth on small details, doubting things, starting over. Most of that process is invisible to the outside world.

And then suddenly your track is playing on platforms you’ve known for years, platforms that felt far away at some point.

It’s not even about the “achievement” itself. It’s more about realizing that the music traveled. That something you created reached places you didn’t expect.

It felt like one of those quiet dream moments. The kind you don’t immediately share, you just take it in.

Grateful for it. And aware that it’s just part of a much bigger journey.

Valentine’s night at Beijo had a certain kind of energy. People were close, the room felt warm, everything just a bit more alive than usual.

I had my track Fever ready in the set, but I wasn’t fully sure when or if I should play it. It’s a weird feeling, playing your own music for the first time in front of a crowd. You don’t know how it’s going to land outside of your own world.

At some point I stopped thinking about it and just went for it.

I dropped the track.

And almost instantly, something shifted. People reacted in a real way. Not polite, not forced. Just movement, energy, connection. Some people singing along, others just fully in it.

I remember standing there for a second thinking, this is actually happening.

It was the first time I played my own song in a set like that, and the first time I felt it live through other people.

That moment stayed with me. Because it’s one thing to make music, but it’s something else when it starts living on its own.

That night, it did.

There’s something about Lisbon nights that feels like they’re testing you.

A few days ago I played at Yamore. It was set up as a contest with 10 DJs on the lineup, all bringing their own thing, all clearly there for a reason. You could feel it before even starting. No one was just casually playing, everyone wanted to leave an impression.

When I stepped behind the decks, I told myself to just stay in my flow. No overthinking, no trying to impress, just play what feels right and trust that.

The set had its moments. Times where the crowd really locked in, times where I had to adjust and read the room again. That back-and-forth is what I love the most, that invisible connection you build in real time.

At the end of the night, they selected 3 DJs to move forward.

When they called my name, it didn’t feel loud or crazy. It felt calm. Like a quiet confirmation that I’m on the right path.

Lisbon is not an easy place to stand out. There’s a lot of talent here. So moments like this feel earned.

I left that night feeling grateful, but also focused. This is just one step.

Hello friends,

Whether you want to be a full-time producer or a full-time entrepreneur, one thing becomes clear quickly: success requires sacrifices. There is no shortcut, and the path isn’t easy. Late nights, early mornings, missed social events and long hours in the studio or at work are all part of the journey.

Sacrifices aren’t just about giving up things you enjoy: they’re about prioritizing your vision and investing in your growth. Every hour you put into creating, learning and building your brand is a step closer to your goals. It’s about trading comfort for opportunity and short-term ease for long-term results.

At the same time, sacrifices need to be intentional. It’s not about burning out or losing yourself, it’s about making conscious choices that move you forward. The more you commit, the faster you grow, and the more doors open.

The biggest reward of sacrifice is freedom: freedom to create on your own terms, to build your life around your passion, and to achieve things that seemed impossible at first. Nothing worth having comes without effort, focus and determination.

Glad you were here, speak soon! 

Hey friends,

In music and in life, it’s important to pay attention to who is really there for you and who is just taking advantage or copying your style. It’s easy to mistake friendliness for authenticity but not everyone around you has your best interests at heart.

Some people will support you, celebrate your wins and push you to grow. Others may be around just to ride your wave, imitate your work or benefit from your effort. It doesn’t always come from malice, sometimes it’s jealousy or insecurity but the impact is the same: it can slow you down and distract you from your path.

Trust your instincts and observe actions, not words. Real friends show consistency, respect and genuine interest in your journey. Keep your circle close to people who lift you up and challenge you to be better, and don’t be afraid to distance yourself from those who drain energy or copy what you do.

Being careful doesn’t mean being closed off. It means valuing your time, energy and creativity while still being open to collaboration, growth and connection with the right people.

Thanks for reading and catch you in the next post.

Hey friends,

Before I fully committed to music, I studied law at university. From the start, I knew music was what mattered most to me, but life had other responsibilities. My scholarship depended on my grades and my mom was only receiving a welfare benefit if I kept my points high. At that time, we were struggling financially and linked to the OCMW (Public Centre for Social Welfare) so failure wasn’t really an option.

Finishing my degree wasn’t easy: I spent countless hours juggling lectures, assignments and exams while trying to nurture my music on the side. There were moments of doubt, exhaustion and frustration but I kept going because I knew the long-term stability and responsibility mattered, not just for me but for my family.

Even though music was always my passion, law taught me discipline, focus and resilience. Those lessons translated directly into my approach as a producer and artist: working hard, planning carefully and balancing passion with practicality.

Looking back, I’m grateful I finished my degree. It allowed me to pursue music with a sense of responsibility and freedom knowing I had done everything I could for myself and my family. Music has always been my heart but life taught me how to combine heart with strategy.

Thanks for reading.

Speak soon!